Sabtu, 26 November 2011

[F852.Ebook] Get Free Ebook FDR: The Beckoning of Destiny, 1882-1928, by Kenneth S. Davis

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FDR: The Beckoning of Destiny, 1882-1928, by Kenneth S. Davis

FDR: The Beckoning of Destiny, 1882-1928, by Kenneth S. Davis



FDR: The Beckoning of Destiny, 1882-1928, by Kenneth S. Davis

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FDR: The Beckoning of Destiny, 1882-1928, by Kenneth S. Davis

In this extraordinary biography, Roosevelt's life is set against the backround and events of almost half a century to show how the man and his career were shaped by the world in which he lived.

  • Sales Rank: #2619310 in Books
  • Brand: Brand: Random House
  • Published on: 1993-10-12
  • Released on: 1993-10-12
  • Original language: English
  • Dimensions: 9.25" h x 6.00" w x 1.50" l,
  • Binding: Paperback
  • 936 pages
Features
  • Used Book in Good Condition

From the Inside Flap
In this extraordinary biography, Roosevelt's life is set against the backround and events of almost half a century to show how the man and his career were shaped by the world in which he lived.

About the Author
A biographer of Eisenhower, Lindbergh, and Adlai Stevenson as well as a novelist, Kenneth S. Davis was awarded the prestigious Francis Parkman Prize for FDR: The Beckoning of Destiny, which was also a nominee for the National Book Award. In addition, his next two volumes on FDR were both chosen as among the ten best books of the year by The New York Times.

A graduate of Kansas State University, with a master of science degree from the University of Wisconsin and an honorary doctorate of letters from Assumption College, Davis was a journalism instructor at New York University, a war correspondent attached to General Eisenhower's headquarters, special assistant to Milton Eisenhower, the president of Kansas State University, a member of the State Department's UNESCO relations staff, editor of The Newberry Library Bulletin in Chicago, adjunct professor of English at Clark University, and an adjunct professor of history at both Kansas University and Kansas State University. Kenneth S. Davis died in June 1999.


From the Hardcover edition.

Excerpt. � Reprinted by permission. All rights reserved.
BOOK ONE

A Guided Drift Toward War

Overture: Themes, Issues, Recapitulations

"We are facing difficult days in this country, but I think you will find me in the future just the same Franklin Roosevelt you have known a great many years."

Roosevelt had spoken these words at midnight of the night before (it was now Wednesday morning, November 6, 1940) to a jubilant crowd of Hyde Park neighbors gathered on the wide Big House lawn—a crowd that had come in torchlight parade to celebrate with him his election to an unprecedented third term as President of the United States, defeating Republican challenger Wendell Willkie—and the promise thus made, despite being rendered strangely tentative and even dubious by the prefatory "I think," was evidently intended by him to soothe, to reassure. It failed to do so, however, for everyone who listened to it or read it in the papers. There were critical and well-informed minds in which the promise raised questions of identity that, viewed in terms of the future now rising as black clouds out of Europe, out of Asia, to cast gloom over the Republic,
were both difficult to answer and profoundly disturbing.

Was this "Franklin Roosevelt" whom his listeners had "known a great many years" actually and wholly the Roosevelt upon whom now depended so much of the fate of America and, indeed, the world? Or was the "real" Franklin Roosevelt a man different in important ways, and perhaps contradictory ways, from his Hyde Park friends' perception of him? In either case, but especially in the latter, to what extent and in what ways would his remaining "just the same" be a boon for mankind, to what extent and in what ways a misfortune, in the "difficult days" to come?

II

The man popularly perceived, the man whose face at midnight had been cooled by a mild springlike breeze as it was imbued by ruddy torchlight, was a big, warm, friendly, compassionate man with an acute sense of justice and a strong commitment to it. Through all the fifty-seven years
of his life (he would be fifty-eight this coming January 30) he had been a lover of simple country living. He disliked cities, though his most solid political support came from urban areas, and had in the past, in public speech, more than hinted a belief that virtue, discouraged by the frenetic
artificiality of crowded streets, could come to its full flowering only amid green growing things in such landscapes as the one he saw this morning out his bedroom window. For though the green growth was now in autumn retreat at Hyde Park, the hardwoods leafless, the evergreens nearly
black, the fields and meadows gray and brown and swept by chill winds under a darkly lowering sky (the weather, he noted, had greatly changed since midnight)—though this was so, and though the present melancholy of it was felt, the window-framed landscape of wide fields and wild-wooded
hills was yet seen through memory's eyes as a greenly living one. Through it, nourishing and ordering it, flowed the great theme-river of his life, the mighty Hudson, upon whose wide bosom he had spent many of his happiest youthful hours in sailboat and iceboat and from whose bank he and his devoted friend Louis Howe had launched the model sailboats they designed and built together during his long convalescence, as a middle-aged man, from near fatal illness. It now presented itself to his vision, beyond a fringe of treetop, as more lake than stream. A small inland sea. And it
was in fact both an active arm of the sea and an active contributor of water to the sea, for it was one of the longest estuaries on earth, as Roosevelt had learned as a boy. Already, as it made its slow curve around Crum Elbow, it sometimes tasted faintly of the salt of the sea that flowed into it, if meagerly, at high tide, and into which soon it must die. Such facts greatly interested, and were known to interest, the man whom his neighbors had long known. He collected them avidly and, his admiring neighbors would have said, they now richly furnished a mind remarkable for
its capacity.

Many of these neighbors knew, as we know, that his collecting of facts, like his collecting of stamps, old books, naval prints, and the like, had been a major part of the psychological strategy he had employed, to sustain his morale, in the long hard war he had waged—much of it in this house, in this very room—against the crippling effects of the polio that had struck him down in 1921, when he was thirty-nine. It was a war he had declared in the innermost recesses of his being, and to everyone around him, while he was yet wholly bedridden, unable even to sit erect. With an iron determination whose grimness he masked with smiling outward confidence, even gaiety, he had set out to conquer and destroy his affliction. He would walk again! He would walk unaided, without leg braces or crutches or canes! Alas, he never did. He became more mobile, less helpless physically, than had seemed possible to his doctors at the outset of his war, but no amount of willpower or arduous physical effort (he expended prodigious quantities of both) could regrow destroyed nerve tissue. In 1928, when his return to active political life forced him to suspend his recovery regimen after seven years of harsh effort, his legs yet remained nearly fleshless, hardly more than sticks of bone draped in wrinkled skin, and were almost totally unresponsive to his will. His public "walking" and "standing," in 1928 as in 1940, were difficult and often painful balancing acts on what were in effect stilts (steel rods locked around hips, knees, ankles), possible only if he leaned heavily on canes or had beside him a strong man whose arm he could grip. Nevertheless, his struggle had been far from fruitless. During it, as his neighbors knew, he had manifest and further developed an almost incredible fortitude, patience, and emotional self-control—a self-mastery that was part and parcel of his mastery of other people.

Discerned by some of the more acute of those who observed him with close attention, though from a distance, was the fact that his very disability had become in his way of handling it a source, an instrument, a protector and preserver of personal power. As regards this last, it prevented risk-engendering importunities that he could not have avoided, save at the further and possibly greater political risk of giving offense, had he been able to move freely about and therefore compelled to mingle casually with other people on occasions and grounds not of his choosing. The compulsion was now all the other way: people must come to him, and they must come always, to some extent, at least, with formality—that is, in accordance with formal rules whereby they were placed at an initial disadvantage insofar as their dealings with him were of an adversarial nature. This was true even in situations where his actual need for their support was considerably greater than theirs for his. For since they came as invited guests into his house, or by his permission into his office or onto other ground ruled by him, they came perforce under felt obligations and must
assume in some degree, willy-nilly, a supplicatory attitude. By the manner of his welcome or greeting he could and did set the tone of every personal encounter and, having done so, could and did dominate the discussion.

Similar in effect, but different psychologically, was the way in which his physical handicap became per se a source and instrument of governing power. Conjoined or (more precisely) fused with the self-mastery he had gained through his struggle to overcome it, his perceived handicap, in part by weakening in other people their inward resistance to his will, actually increased his persuasiveness and enhanced his ability to command through sheer force of personality. It commonly made these others want at the outset to please, emulate, and, if at all possible, agree with this man who demonstrated so much courage, strength of character, and optimistic confidence—so much liking and concern for them personally, such sweetness of disposition—under pressures that would have crushed an ordinary mortal into chronic depression and resentful dependency. Moreover there was a natural assumption on the part of people in general, an assumption abundantly encouraged by his careful management of his public image, that he had earned through his prolonged and terrible ordeal a compassionate living wisdom remarkable for its width and depth. He was therefore commonly deemed more likely to be right than his opponents were on issues concerning which the common view was not well informed. He might be so even on issues of which his own factual knowledge was meager: his "intuition" was famous, was encouraged by him so to be—an ability, as it seemed, to dispense with logical process as he plunged with lightning swiftness into the heart of a difficult problem and discovered there its solution—and though it was presumed that he had been born with this uncanny ability, it was further presumed that prolonged anguish and arduous struggle had sharpened and strengthened it.


From the Hardcover edition.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Davis lacks focus
By D. M. Nott
Let me start by saying that Kenneth S. Davis is a naturally talented writer and historian and this biography is very informative and entertaining. However it is simply too bloated, it does not just want to be a biography of FDR but a history of the aristocratic Hudson River society, Groton, Harvard, Tammany Hall and the Woodrow Wilson administration. I am a firm believer in a model of biography that puts the subject in their historical context, since no person can be understood without looking at the kind of envirnoment that formed their actions.
However Davis simply takes this too far by focusing on these particular aspects of the biography without really any explanation of why this is essential to understanding the character of Franklin D. Roosevelt. Davis is also to fixated on Eleanor and parts of the biography ignore his role in their relationship and focus on her life.
Overall this is a well written, compelling biography but it is simply too long and there are parts where the man himself gets lost in the world surrounding him. The fact that this volume is 853 pages and only gets as far as his election as the governor of New York shows how overblown the book is. Overall more editing was required to make this volume flow better and to give us a sense of Rooselvelt himself, this is a shame since this biography has so much more going for it.

4 of 4 people found the following review helpful.
How it all began...
By M. A Newman
This book was awarded a well-deserved Parkman for the quality of its scholarship. This is the best book on the early years of FDR. It follows his childhood and explores the relationships with the key people in his life: the formidable Sara Delano Roosevelt, his marriage to Eleanor, and his political education from Louis Howe.
This book also has a great deal to say about polio and how FDR and each of these people responded. This is not "Sunrise at Campabello, although it is clear that polio did make Roosevelt into the person who was able to become the greatest president of the 20th century.

6 of 6 people found the following review helpful.
Huge biography that reads at the pace of a great novel.
By A Customer
I can't wait to read the other books in this serial biography. Davis rarely overtells or undertells details of FDR's early years. The book moves quickly, and leaves an insatiable desire to read the next installation - if you can find it.

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Selasa, 15 November 2011

[Q547.Ebook] PDF Ebook Adam's Thorn, by Angela Verdenius

PDF Ebook Adam's Thorn, by Angela Verdenius

Adam's Thorn, By Angela Verdenius How a simple idea by reading can boost you to be a successful individual? Reading Adam's Thorn, By Angela Verdenius is an extremely simple activity. Yet, just how can many people be so lazy to read? They will favor to invest their spare time to talking or hanging around. When as a matter of fact, reviewing Adam's Thorn, By Angela Verdenius will give you a lot more possibilities to be successful finished with the hard works.

Adam's Thorn, by Angela Verdenius

Adam's Thorn, by Angela Verdenius



Adam's Thorn, by Angela Verdenius

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Adam's Thorn, by Angela Verdenius

The arrival of Barbie Declan in his town brought up a lot of bad memories for Adam. A lot.

The calm, controlled cop had Barbie acting like a shrew whenever he was near her. Talk about guilt.

Now she had not only sparks of dislike between them, but something growing a little hotter. As if that wasn’t disconcerting enough…

…there’s something very wrong with the spooky old house she’s inherited…

  • Sales Rank: #483882 in eBooks
  • Published on: 2014-01-14
  • Released on: 2014-01-14
  • Format: Kindle eBook

Most helpful customer reviews

6 of 6 people found the following review helpful.
Spooktacular
By Joslyn
I have yet to read a book by this wonderful author that I haven't loved. This story was great. I loved Adam... yum! And his thorn, Barbie, well let me say she's a bit of a bad girl turned good. I won't get into the details because it would ruin this story for you. I will say this, are the ghost real, or merely a figment of her overactive imagination? Well read it, and find out :) It has some moments that just creeped me out, then again I am a bit of a fraidy cat. Thank you so much Ms. Verdenius for the wonderful read.

Oh and for those unfamiliar with her writing, her sex scenes, specially this one are HOT. So if you like clean romances, do not read. You have been warned.

1 of 1 people found the following review helpful.
A nice story, not my favorite heroine.
By starsaga
I like AV stories, I always love the sense of humour that threads through her dialogue and the story-line. I always, always love her Heroes, but her heroines are ok. In this story, I did not care for Barbie at all. I guess the history that she had with Adam was the reason for her being so prickly but it was clear that she had done something really awful in the past so her apology was way past due. In this story, also I felt Adam was the star, he overshadowed Barbie by a mile because Barbie never really did anything. Everything was done to and for her, otherwise she was too one dimensional for me to care about one way or another. I liked the book though and I will definitely read more by AV but this one will not go on my re-read shelf.

0 of 0 people found the following review helpful.
Good Read.
By Jmb
Angela is one of my favorite authors. Not being an Aussie, I can't swear that everything is "real" about her stories, but I always feel like I've taken a a little trip there when I read her books. I do know the animals in the story seem authentic, so I think she is probably just as good with the locales. Her heroes are always strong with good hearts. Usually, her heroines resonate with me and I want to meet them. This time I didn't connect with her as much, that's why I could only give it 4 stars. I don't want to spoil the story for anyone, but she acts like a brat.

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Selasa, 08 November 2011

[E687.Ebook] PDF Ebook I Want My Hat Back, by Jon Klassen

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I Want My Hat Back, by Jon Klassen

A New York Times Best Illustrated Children's Book of 2011!

A picture-book delight by a rising talent tells a cumulative tale with a mischievous twist.

The bear's hat is gone, and he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear's memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor-- and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke.

  • Sales Rank: #2224 in Books
  • Brand: Candlewick Press
  • Published on: 2011-09-27
  • Released on: 2011-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x .38" w x 8.13" l, .90 pounds
  • Binding: Hardcover
  • 40 pages

Review
I Want My Hat Back is a marvelous book in the true dictionary sense of marvel : it is a wonderful and astonishing thing, the kind of book that makes child laugh and adult chuckle, and both smile in appreciation. --The New York Times

The joy of this book lies in figuring out the explicit plot from the implicit details in the pictures, especially a few wordless ones. --Chicago Tribune

Deliberately understated, with delectable results!Skillful characterizations; though they're simply drawn and have little to say, each animal emerges fully realized. --Publishers Weekly
--Publishers Weekly

The joy of this book lies in figuring out the explicit plot from the implicit details in the pictures, especially a few wordless ones. --Chicago Tribune

Deliberately understated, with delectable results… Skillful characterizations; though they're simply drawn and have little to say, each animal emerges fully realized. --Publishers Weekly

About the Author
Jon Klassen received the 2010 Canadian Governor General's Award for his illustrations in Caroline Stutson's CAT'S NIGHT OUT. He also created illustrations for the popular series THE INCORRIGIBLE CHILDREN OF ASHTON PLACE and served as an illustrator on the animated feature film Coraline. I WANT MY HAT BACK is the first book he has both written and illustrated. Originally from Niagara Falls, Canada, he lives in Los Angeles.

Most helpful customer reviews

173 of 185 people found the following review helpful.
The Proof is in the Faces of Seventeen 2nd Graders
By R. Gilmore
I am a 2nd Grade teacher and you can only read Mo Willem's excellent 'Pigeon' books so many times before apathy sets in. When 'I Want My Hat Back' arrived, I took it immediately to school and implanted its delightful message into the brains of my young students.

After reading the tale -- 34 perplexed eyes, cocked in disbelief, greeted me.

"Did that bear...?"
Yes he did, kids...yes he did.

The pace, the art, the whole package is immediately accessible and enjoyable. Subsequent readings of the book have been met with cheers and choral readings of "WAIT! I HAVE SEEN MY HAT!!!"

Jon Klassen has rocketed to the top of my 'Must Buy' list. I can't wait to see what he has in store for us in the future. A classroom full of new fans waits patiently for his next book.

157 of 172 people found the following review helpful.
Methinks the woodland creatures doth protest too much
By E. R. Bird
I knew it! I knew it, I knew it, I knew it, I knew it, I knew it! When Caroline Stutson's Cats' Night Out was released by Simon & Schuster in 2010 it contained art by an animator going by the moniker of Jon Klassen. And frankly I just thought it contained some of the slickest art I'd seen in a picture book in a long while. I hardly even noticed that he was the same guy behind the pictures found in The Incorrigible Children of Ashton Place by Maryrose Wood. Still and all, until now he hadn't illustrated his own book. I was fairly certain he might at some point, and I wasn't sure I'd be looking forward to it. I mean, I thought the man was grand, but could he tell a story? Well, turns out I was right about the fact that his art is magnificent and now, with the release of his first author/illustrator picture book I Want My Hat Back, Klassen shows once and for all that his storytelling talents match his illustration technique pound for pound.

A bear has lost his hat. To find it he questions a variety of woodland creatures including a fox, a frog, a turtle, a possum, a dear, a snake and a rabbit. The rabbit, for the record, refuses to acknowledge having seen the hat in spite of the fact that he appears to be wearing it. And when the bear realizes the true culprit there will be a price to pay. A deeply amusing price. Painted with Chinese ink and digital art, Klassen's book falls into that growing category of subversive picture books out there. What makes it stand out, however, is how beautifully put together it all is.

A criticism leveled at the aforementioned Cats' Night Out involved the expressionless faces of Klassen's kitties. Here you had a book where felines engage in a variety of different dances, yet their faces retain the exact same universal look of deep concentration. I thought it was a hoot. Other folks felt it made the cats too cold and static. So it will be with great interest that I watch the critical reception of I Want My Hat Back. That is because here, being expressionless isn't just the name of the game, it's a comedic technique. Klassen can do more with the set of this bear's head than most artists do with entire bodies. And watch how the eyes work in this book. For most of the spreads the bear and other animals are looking right at you. All that changes the instant the bear lies on the ground, despairing of ever finding his hat again. Now his eyes, and the eyes of the other characters, are looking at one another. It isn't until you get to the final coup de grace that you realize that the bear is looking at you once more.

As I mentioned before, Mr. Klassen is one of those animators-turned-picture-book-artist. Usually when you encounter one of these (like, say, Tony Fucile or Carter Goodrich) their strength lies in the sheer number of expressions they can pack into a given character. Klassen seems to have taken a direct 180-degree turn in the opposite direction. Expressions here are all about the subtleties, but in spite of that you can still tell he has a cinematic background. For example, there is his use of the pregnant pause. At one moment two characters confront one another on a wordless two-page spread and with just the slightest tweak to their pupils, Klassen creates a world of tension. There's also his use of color (a sudden red infusion on a page where the bear realizes where he last saw his hat) and sudden movement. Essentially, this artist has figured out that picture books bear more similarities to short films than any other literary medium (I might make an exception for graphic novels when I say that). The result? He makes the maximum use of the form.

Then there's the language. Klassen utilizes very simple words here, and right from the start the reader is struck by how polite the characters are. Each time the bear finds himself disappointed he offers a quiet "Thank you anyway" and moves along. The turtle too says, "Yes, please" when the bear offers to place him on top of a rock he's been trying to find. Really, only the rabbit is a rude critter here, and we know where rudeness will get you (don't we children?). Aside from the stellar pacing which allows the story to flow seamlessly I also loved Klassen's use of the Rule of Three. We meet two characters that have not seen the bear's hat to establish the storyline, then run smack dab into the sneaky rabbit. It makes it all the funnier when the bear continues his quest, oblivious of the rabbit's incredibly obvious guilt. And so while I haven't tried this book as a readaloud quite yet, I have high hopes. If the adults don't freak out over the ending, of course.

Why would an ending cause parental concern? Well, I don't want to give anything away, but I will say that the book ends with a kind of Emily Gravett/Mini Grey finish. Which is to say, it has a twisted, almost British sense of humor to it. Consider this your official spoiler alert if you like. All set? Okay, so in the last sequence in the book a squirrel inquires after the rabbit and the bear replies with a long, shaken response that pretty much makes it clear as crystal that he ate the offending bunny. This is followed, interestingly enough, by a final silent two-page spread of the bear sitting alone. It's interesting that Klassen preceded that speech with the bear saying, "I love my hat" and doesn't end the book with that statement instead. Still and all, the American consumer is not used to finding devoured bunnies in picture books. The fact that the bear has done so off-screen (as it were) will do little to alleviate tender parental fears. Allow me to point out then that due to Klassen's sophisticated storytelling, small children will not understand the rabbit's fate, while the cannier older ones will not only get the joke but revel in it. When we recommend picture books to four through eight year olds, we rarely see titles that really do span the spectrum. This book is one of the few. Plus I was really amused by how torn up the plants that had been around the rabbit end up when the bear sits contentedly with his hat at the end.

If I were to sum up this picture book in one word I think I would go with this: Deadpan. And deadpan picture books are rare beasts indeed. They can be done (Edward Gorey's work comes to mind) but pulling them off so that they're as appealing to children as they are to adults is no small feat. I think Klassen got away with it here, though. It'll be the wry child that takes to I Want My Hat Back but the world is full of wry youth. So equally consider both the five-year-old in your life as well as the irony-filled college grad when looking for the right gift. Klassen is straddling the market and we end up the winners. A great little book.

For ages 4-8.

52 of 55 people found the following review helpful.
This book is special!
By Young Mensan BookParade
That was a funny book. My favorite character was the bear. He started off with 'I want my hat back.' And then he looked for it by asking a fox, a frog, a rabbit (who was telling a lie), a turtle, a snake hanging upside down, a mole in a hole, and last a deer. Nobody knew where it was. Then he thought about the rabbit. What the bear did to the bunny to take back his hat was a surprise and a secret. At the end, when a squirrel came, the bear did something a lot like what the rabbit did....

I liked the book because there was a surprise and it was funny.

The whole book was fun to read, and I could read the words by myself. And the funniest part was where the bear started a lie again. The book is special.

All boys of all ages will like this book. I don't know about the girls. I don't know how they feel.

I love it so much!

Review by Young Mensan Drake, age 5

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Senin, 07 November 2011

[Y105.Ebook] Fee Download Prometheus: The Complete Fire and Stone, by Kelly Sue DeConnick, Paul Tobin, Christopher Sebela

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Prometheus: The Complete Fire and Stone, by Kelly Sue DeConnick, Paul Tobin, Christopher Sebela

Prometheus: The Complete Fire and Stone, by Kelly Sue DeConnick, Paul Tobin, Christopher Sebela



Prometheus: The Complete Fire and Stone, by Kelly Sue DeConnick, Paul Tobin, Christopher Sebela

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Prometheus: The Complete Fire and Stone, by Kelly Sue DeConnick, Paul Tobin, Christopher Sebela

The moon of LV-223--resting place of the doomed Prometheus expedition, enigmatic source of all organic life, and nightmarish source of ultimate destruction. Now a new generation of explorers hopes to uncover the mysteries of this strange and dangerous world, but what they find may lead to humanity's undoing.

Collects Prometheus: Fire and Stone #1-#4, Aliens: Fire and Stone #1-#4, Alien vs. Predator: Fire and Stone #1-#4, Predator: Fire and Stone #1-#4, Prometheus: Fire and Stone--Omega one shot

  • Sales Rank: #42563 in Books
  • Brand: Dark Horse Comics
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.50" h x 1.80" w x 8.30" l, 6.50 pounds
  • Binding: Hardcover
  • 480 pages
Features
  • 80 pages of previously unseen content! The moon of LV-223 - resting place of the doomed Prometheus expedition, enigmatic source of all organic life, and nightmarish source of ultimate destruction.
  • Now a new generation of explorers hope to uncover the mysteries of this strange and dangerous world, but what they find may lead to humanity's undoing. The Prometheus Complete Fire and Stone Hardcover Book collects Prometheus: Fire and Stone #1-#4, Aliens: Fire and Stone #1-#4, Alien vs. Predator: Fire and Stone #1-#4, Predator: Fire and Stone #1-#4, and the Prometheus: Fire and Stone - Omega one-shot.
  • This book collects the complete blockbuster crossover event and features over 80 pages of previously unseen content!
  • Book is 480 pages and measure 12-inches tall x 8-inches wide.
  • Ages 15 and up.

Most helpful customer reviews

14 of 14 people found the following review helpful.
A Massive Crossover That Doesn't Disappoint
By Neil Middleton
I’ve been a fan of Alien and Predator since I can remember. The dark, brooding atmosphere of the crew of the Nostromo to the nightmarish greenery of South America, these films have influenced me for decades. That was why around 1990 when Dark Horse Comics having obtained the rights to both Alien and Predator decided to pit the two against each other is a massive crossover event aptly titled Aliens vs. Predator. I remember finding this book in a comic shop when I was about 10 years old and nearly jumping out of my skin. What a brilliant idea. I thought these two movie monsters were better suited for a “VS.” story than Freddy or Jason. I remember reading and re-reading the collected edition. I was also giddy when watching "Predator 2" in theaters and seeing the elongated skull of an Alien during the climax of the film.

The book was a massive hit and we’ve had several more battles between the two creatures not only in comics, but novels, video games and two terrible movies. Hell, they even pitted the monsters against each other with the likes of Judge Dredd, Superman, Batman and Terminator showing up, getting caught in the middle. Each one a hit.

Well, Dark Horse is at it again. This new storyline entitled Fire and Stone not only brings the two creatures together again, but this time they’re throwing Ridley Scott’s semi-prequel Prometheus into the mix. Makes sense considering Prometheus is the origins of the Alien creatures – more of which will be explored in Scott’s upcoming "Alien: Covenant."

It’s been decades since the crew of the Prometheus ventured to the moon called LV-223 and disappeared without a trace. A new crew has landed on the moon expecting to find an uninhabitable terrain. Instead, they encounter a massive jungle rife with life. Of course, it’s not long before familiar creatures rear their ugly, elongated heads and things start going horribly, horribly wrong.

At a massive 528 pages (seventy of which are dedicated to “behind-the-scenes” material), there’s a lot to get through, though you’ll find the read to be pretty quick. Panels tend to be large, taking up most of the page with minimal dialogue. This is an action story and there is loads of it. Nearly every page has something chasing our would-be heroes and picking them off, sometimes one-by-one, others times by the dozens.

Each Fire and Stone is presented here – Prometheus, Aliens, Alien vs. Predator, Predator and Prometheus: Omega – each of which are divided into four “chapters” except for Omega which was a one-off issue that serves to only wrap things up.

The art is beautiful, if a little amateurish, though each artist does their best to put their own spin on things without completely abandoning what the others did with their respective books so there’s no jarring differences as you segue into the next book.
In all, it’s a great read with some wonderful art that will keep you glued until the final pages. Prometheus: The Complete Fire and Stone definitely worth your time if you’re a fan of these franchises. You’ll also be happy that they take very few liberties with the properties, staying true to the canon of the films. This is worth every penny.

1 of 1 people found the following review helpful.
A Must Have for Alien Fans...or ANY Comic Collector!
By Dawn Ray
This book is AMAZING. It is HUGE, but wow, is it beautiful. I was so excited to receive my copy, and I sat down and read the entire thing. Usually, I read a book a day, and expected to be done with this quickly. To my astonishment, it took me hours! I really enjoyed the fact that the story here finishes out the novel Aliens: River of Pain. I have been a fan of the Alien stories for a long time, and I was tickled to recognize the storyline from my novel, which I had enjoyed very much as an extension of the Aliens movie directed by James Cameron. I thought this anthology was beautifully drawn, and made more sense story-wise than many other comic series I have encountered. This is the ultimate gift for someone who loves Aliens, comic books, or maybe has only a couple of copies of this series. I would buy it again, and probably will, as a gift.....but the first copy is MINE! I consider it a must have for any collector of the Alien anthology!

0 of 0 people found the following review helpful.
Four stars for story but
By Opeth32
First the story was and is awesome really good! I had a blast reading it to new readers pay attention to a certain mountain in this book it will blow you away. The art direction though I had an issue with, you could say 75 to 80% of it is stunning and very beautifully rendered but the rest I don't get it. The drawing started to evolve into an almost 80's early 90's style then sometimes it was just so bad it was off putting but still it's not throughout the whole comic but when it happens it's a bit startling. Obviously Dark Horse used more than one artist which drive's me crazy Marvels pathetic with this and talk about uneven work when it comes to them. Other than a few flaws in the art direction this is a very good graphic novel and it is worth the buy so buy it!

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